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Immediate Fiction: A Complete Writing Course pdf

Jerry Cleaver: Immediate Fiction: A Complete Writing Course

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Jerry Cleaver . If the characters are having a good time, the reader is not. All we need is the ability to "develop and exercise sadistic license. From Publishers Weekly Adages ("Want + obstacle = conflict"), advice ("Make all of your story worth showing") and even an assortment of solitary words author Jerry Cleaver considers important ("fear," "worry," "hope") stand out in boldfaced type on the pages of Immediate Fiction: A Complete Writing Course. " The operative word is conflict . com Review Musicians and artists might need talent to succeed, but writers don't, says Jerry Cleaver in Immediate Fiction . . Start with five minutes on weekdays and 20 on weekends, and you'll have 100 to 300 pages by year's end. Editorial Reviews Amazon. 95 304p ISBN 0-312-28716-X) Copyright 2001 Cahners Business Information, Inc. " He takes the mystery out of fiction writing. --This text refers to an out of print or unavailable edition of this title. Don't fret if you can't find large chunks of time to write. Martin's, $24. Cleaver claims that teachers who tell you to do it one way or the other are telling you not how you work best, but how they work best. . Cleaver allows that talent is needed to win a National Book Award, say, but otherwise, any of us can do it. . --Jane Steinberg --This text refers to an out of print or unavailable edition of this title. Immediate Fiction: A Complete Writing Course . With its writing exercises, time management hints and endlessly jocular encouragement, this volume will please many a would-be Welty or Wilde. Some writing instructors demand that you work with an outline; others forbid it. (St. Perhaps most refreshing about Cleaver's approach is the lack of directives. As Cleaver puts it, "Happy lives make lousy novels. See all Editorial Reviews

. Cleaver, who founded the Chicago writers' workshop the Writers' Loft and has ghostwritten several books, insists that all one needs to be a successful writer is the "right tools" (while painting may require "inborn talent," writing doesn't) and in enthusiastic prose, he describes those tools one by one. You don't have to write about what you know, he says; write what you can imagine.

Rating:

4,5 / 5

 


  • Paperback: 304 pages
October 27, 2005 0312302762 978-0312302764 Reprint
  • Publisher: St. Martin's Griffin; Reprint edition (October 27, 2005)
  • ISBN-10: 0312302762

File size: 4,2 MB

 
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